Visual Work
A selection of video projects I've contributed to across directing, shooting, editing, and production support.

01
Peter Millar FA25 Fall Fashion
Role: Creative Production Assistant
I supported this project on the production side, assisting with pre-production planning, logistics, vendor relations, and budgeting. Strong preparation and collaboration were key to keeping the shoot on track and delivering clean visuals.
02
Peter Millar SP25 Odeon
Role: Creative Production Assistant
I supported this project on the production side, contributing to pre-production planning, logistics, and budget coordination. My role helped ensure the shoot stayed organized and moved efficiently from prep through execution.


03
Peter Millar SP25 ICONS
Role: Creative Production Assistant
I worked on this project in a production support role, assisting with scheduling, logistics, and budget planning. Careful coordination across departments helped the team execute the shoot smoothly and on schedule.
04
COM 380 Final Piece
Role: Group Lead, Videographer, Video Editor
I shot and edited this piece as part of a journalism media course at UNCW. I also contributed to the script and assisted with recording the voiceover, bringing together my background in journalism and my interest in visual storytelling.


05
Digital Drip - Asia Daye
Role: Director and Set-Builder
I directed this piece as part of a senior-level course, overseeing concept development, pre-production, and the shoot. My role focused on creative direction and organization, with minimal involvement in post-production.
06
The Road Not Taken
I served as the videographer and co-editor on this creative project, translating a poem into a visual narrative. The piece focuses on composition and natural light, with particular attention to framing and alignment throughout the shoot.
Role: Videographer, Video Editor


07
Freight of Fried Fruit
Role: Audio Operator, Videographer, and Video Editor
This journalistic piece profiles a local art gallery in Wilmington, North Carolina. I served as the primary audio operator, contributed B-roll footage, and assisted with editing as part of a collaborative team.
08
NASCAR Editing Piece Live
Role: Video Editor
I collaborated with Victor Gonzalez on this 30-second on-air clip, gaining hands-on experience with live television workflows. The project focused on understanding professional turnaround, timing, and broadcast delivery.

